To my dear friend, Mary Ann Maurer, whose professionalism, humor and positive outlook made writing this book such a pleasant task. Working together to grow libraries in developing countries | | ContentsД¬hapter 1: The StoryboardвЂ™s Beginnings TutorialsД¬hapter 2: The Storyboard Artist Is Part of the Preproduction Team TutorialsД¬hapter 3: The Storyboard Artist and the Storyboard The DirectorвЂ™s Vision TutorialsД¬hapter 4: Basic Components and Principles of the Storyboard Rule of Thirds Foreground, Middle Ground and Background Developing Drawing Skills Shot Angles Building the Storyboard Classic Film Examples TutorialsД¬hapter 5: Adding Reality with Perspective Perspective Classic Film Examples TutorialsД¬hapter 6: Design, Composition and Color Drawing Humans in Action Human Proportions Light and Shadow The Importance of Color Black and White Design and Composition TutorialsД¬hapter 7: Illustrating Action in Your Storyboard TutorialsД¬hapter 8: Light Sources and Depth of Field Light Sources Depth of Field Classic Film Examples TutorialsД¬hapter 9: The Shot, Its Dynamics and Its Function in the Storyboard Montage Editing Dynamic Design TutorialsД¬hapter 10: Animatics: The Future of Motion Control Sequencing Editing Special Effects A Real-World Animatic TutorialsДЄppendix A: Additional Resources Appendix B: Glossary ISBN: 978-0-1 For information on all Focal Press publications visit our website at 07 08 09 10 11 5 4 3 2 1 Printed in the United States of America Library of Congress Cataloging-in-Publication Data Application submitted British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. Permissions may be sought directly from ElsevierвЂ™s Science & Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, E-mail: You may also complete your request online via the Elsevier homepage (), by selecting вЂњSupport & ContactвЂќ then вЂњCopyright and PermissionвЂќ and then вЂњObtaining Permissions.вЂќ Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Georgia Kennedy George Morrison Brandy Lilly David Bowers Marcel Koppes Alan StudholmeДЇocal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright В© 2008, John Hart. TOKYO Focal Press is an imprint of ElsevierДЄcquisitions Editor: Publishing Services Manager: Senior Project Manager: Assistant Editor: Marketing Manager: Cover Design:.The Art of the Storyboard A FilmmakerвЂ™s Introduction

Art directors toolkit 5.2